
Rabari embroidery is a pictographic representation of their mythology,
beliefs, culture and life. Women embroider their clothes, cradle cloth
and other linen of the house. Embroidery is a vital, living and evolving
expression of the craft and textile traditions of the Rabaris. They use
glass mirrors in various shapes: round, rhomboid, rectangular, square,
triangular, and beak shaped.
History
Rabaris are nomadic people who came to Gujarat via Sindh, Rajasthan and
Baluchistan. While the origins of this embroidery form are not exactly
known, the style is quite similar to ancient Baluch embroidery. The
importance given to camel also points to the connection. The embroidered
chaklas and kothalos marks the relation with Rajasthan. Rabari women
embroider textiles as an expression of creativity, aesthetics and
identity for ever.
Patterns and Stitches
As per the belief the mirrors on the cradle cloth protect their
children from evil spirits. Rabaris embroider camel trappings, long adan
jackets, chorani pants ludi (veil), the groom's kediyan and so many
other ceremonial and daily utility things. Rabari embroidery is like a
language of expression for women. The compositions created comprise
specific motifs each of which has a name and meaning. Many of these
symbols represent elements intrinsic to Rabari everyday life and throws
light upon how the community sees their world. Others have historical
meaning and help to perpetuate the Rabari knowledge of their heritage.
There is intensive use of shaped mirrors. The stitches are square chain
interlaced with buttonhole for mirror work, single chain, knot,
Romanian, blanket interlaced with herringbone, running, and double
running. Temple motifs, women balancing pots on their heads (paniyari),
mango leaves, coconuts, scorpions, camels, parrots, elephants and the
tree of life are some of the beloved and auspicious motifs of Rabari
embroidery
This embroidery style is not static. The stitches, scales, color,
everything changes with the imagination and spontaneity of the artist.
The style is constantly evolving. Its the creativity of Rabari women, a
manifestation of their extraordinary capacity for adaptation that keeps
this traditional vital